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8 January 1836 – 25 June 1912. Most renowned painters.

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HEINTZ, Joseph the Elder
Adonis Parting from Venus - Copperplate

ID: 63047

HEINTZ, Joseph the Elder Adonis Parting from Venus - Copperplate
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HEINTZ, Joseph the Elder Adonis Parting from Venus - Copperplate


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HEINTZ, Joseph the Elder

Swiss/German painter (b. 1564, Basle, d. 1609, Praha).   Related Paintings of HEINTZ, Joseph the Elder :. | Herrick, Robert | Adonis Parting from Venus s | Adonis Parting from Venus - Copperplate | The Fall of Phaeton w | The Rape of Proserpina s |
Related Artists:
Karl Kaspar Pitz
painted Portrait of a cleric a book in his right hand, by a marble bust in before 1795
Felicien Rops
Belgian Symbolist Engraver, 1833-1898 was a Belgian artist, and printmaker in etching and aquatint. Rops was born in Namur in 1833, and was educated at the University of Brussels. Rops's forte was drawing more than painting in oils; he first won fame as a caricaturist. He met Charles Baudelaire towards the end of Baudelaire's life in 1864, and Baudelaire left an impression upon him that lasted until the end of his days. Rops created the frontispiece for Baudelaire's Les Épaves, a selection of poems from Les Fleurs du mal that had been censored in France, and which therefore were published in Belgium. Rops's association with Baudelaire and with the art he represented won his work the admiration of many other writers, including Theophile Gautier, Alfred de Musset, St phane Mallarm, Jules Barbey d'Aurevilly, and Josephin Peladan. He was closely associated with the literary movement of Symbolism and Decadence. Like the works of the authors whose poetry he illustrated, his work tends to mingle sex, death, and Satanic images.
Lorenzo Monaco
Italian c1370-c1424 Lorenzo Monaco Gallery was a Florentine painter. He joined the Camaldolese monastery of Santa Maria degli Angeli in Florence in 1391, but he left monastic life before making a lifetime commitment. Despite this fact, he has traditionally been called "Lawrence the Monk." His work shows the influence of the International Gothic style of the late fourteenth century, as well as that of the Sienese school.






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